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Special Discount Toccatas Preludes & Fugues

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DISC: 1

1. Toccata And Fugue In D Minor, Bwv 565
2. The Little Fugue In G Minor, Bwv 578
3. Prelude And Fugue In C Major, Bwv 545: I. Prelude
4. Prelude And Fugue In C Major, Bwv 545: II. Fugue
5. O Gott, Du Frommer Gott, Bwv 767: Partita I
6. O Gott, Du Frommer Gott, Bwv 767: Partita II
7. O Gott, Du Frommer Gott, Bwv 767: Partita III
8. O Gott, Du Frommer Gott, Bwv 767: Partita IV
9. O Gott, Du Frommer Gott, Bwv 767: Partita V
10. O Gott, Du Frommer Gott, Bwv 767: Partita VI
11. O Gott, Du Frommer Gott, Bwv 767: Partita VII
12. O Gott, Du Frommer Gott, Bwv 767: Partita VIII
13. O Gott, Du Frommer Gott, Bwv 767: Partita IX
14. Prelude And Fugue In F Minor, Bwv 534: I. Prelude
15. Prelude And Fugue In F Minor, Bwv 534: II. Fugue
16. Prelude And Fugue In G Major, Bwv 550
17. Prelude And Fugue In C Minor, Bwv 546: I. Prelude
18. Prelude And Fugue In C Minor, Bwv 546: II. Fugue

DISC: 2

1. Prelude And Fugue In D Major, Bwv 532: I. Prelude
2. Prelude And Fugue In D Major, Bwv 532: II. Fugue
3. Fugue In B Minor On A Theme By Corelli, Bwv 579
4. Toccata And Fugue In F Major, Bwv 540: I. Toccata
5. Toccata And Fugue In F Major, Bwv 540: II. Fugue
6. Christ, Der Du Bist Der Helle Tag, Bwv 766: Partita I
7. Christ, Der Du Bist Der Helle Tag, Bwv 766: Partita II
8. Christ, Der Du Bist Der Helle Tag, Bwv 766: Partita III
9. Christ, Der Du Bist Der Helle Tag, Bwv 766: Partita IV
10. Christ, Der Du Bist Der Helle Tag, Bwv 766: Partita V
11. Christ, Der Du Bist Der Helle Tag, Bwv 766: Partita VI
12. Christ, Der Du Bist Der Helle Tag, Bwv 766: Partita VII
13. Prelude And Fugue In A Major, Bwv 536: I. Prelude
14. Prelude And Fugue In A Major, Bwv 536: II. Fugue
15. Prelude And Fugue In A Minor, Bwv 543: I. Prelude
16. Prelude And Fugue In A Minor, Bwv 543: II. Fugue
17. Prelude And Fugue In B Minor, Bwv 544: I. Prelude
18. Prelude And Fugue In B Minor, Bwv 544: II. Fugue

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In his ninth and tenth of a total of fourteen releases of Bach’s collected organ works, Kare Nordstoga pulls together much of what was not collected from the composer’s side- preludes and fugues. The double form prelude (or toccata) and fugue has been an established form of composition since the 1600s. The North Germans Dietrich Buxtehude and Georg Bohm made a powerful contribution to this contrastive style in which the freer first part and the more rigorous second part are united in a dynamic whole. The young Johann Sebastian harvested significant impressions from these two composers during his time in Lubeck and Luneburg, and this album was recorded in Luneburg. Kare Nordstoga (b. 1954) studied at the Norwegian Academy of Music. Following his debut in 1978, he continued his studies in London and he was for a time organist at Ullern Church, before coming to Oslo Cathedral in 1984. He has also been associated with the Norwegian Academy of Music, where he was appointed professor in 1994.